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Yet, for the fact that it was beholden to no trend and never saw its influence result in watered-down imitations, it sounds fresher to me than most of the admittedly great hip-hop records that did make this list. And perhaps that hurt its cause in the voting process I'm disappointed because its exclusion means it's weirdly underrated now. Unfortunately, Das Racist's collective output since has made it pretty clear that, while they're likely to do something special in the future, it probably won't be in hip-hop. A friend of mine called it the "Cohencyclopedia" and it was borderline frightening to hear something that so ostensibly lived in my brain, right down to the fact that it resented me in a not-so subtle way. Most of us weren't on Twitter yet, so the idea that someone could revere DipSet and revile Dinesh DiSouza in the span of thirty seconds or so felt like tremendous validation-it wasn't joke rap or conscious rap, these were real, coherent songs with hooks and such and production from guys who worked on Drake and DMX albums.
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Underrated in the game like Mark Ruffalo! These rappers wack as the movie Wackness! Which is the worst movie I ever paid money to see! All that smart shit that's actually stupid and vice versa.
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It recalled that fateful Monday when I learned Tuesday was the industry "street date", having implored that poor Coconuts clerk to just sell me a copy of Primus' Tales from the Punchbowl when they clearly had it in stock behind the counter (that guy was looking out for me, that record was ass).Īnd when I finally did get that download with all of its annoying, lowercase stylization and full-credit tags, I did the virtual equivalent of burning CDs for my friends so we could all discuss it in real time-i.e., having about five different Gchat and AIM windows open at any given time, more or less just quoting lyrics to people who had even the most vague interest. To the point where I was furious- fucking livid-about how it wasn't available by the time I had to go to work. Kool A.D.'s line "Saw the cover of the tape, figured it's pretty wack/ Later on, eventually admitted that it's pretty crack" summed up my feelings towards Shut Up, Dude and by the time I'd come around to its erratic charms (such as the metadata error that resulted in "Fake Patois"), the announcement of Sit Down, Man had me doing the virtual equivalent of sleeping outside the Sam Goody.i.e., refreshing the Mishka website every half hour or so. Yet, this was the album that most provided the closest thing to a '90s-style listening experience for me in the new decade. I'll admit that I haven't bought a CD since 2006 and you can't even own a physical copy of Sit Down, Man anyway. But I suppose it'd be more worthwhile to discuss a record whose exclusion is disappointing because I felt it actually had a shot.